In the early 1960s, as foreign film exports became a thriving sub-industry in the United States, the work of Yasujirō Ozu was deemed “too Japanese” for American audiences. Because of this, many of his films would not premiere in Hollywood until, in some cases, thirty years after their initial release. Nowadays, that Ozu’s films are… Continue reading The Farts of ‘Good Morning’
Aidan O'Malley 